MICHAEL JACKSON
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The Poppit Negatives

One of the benefits of using film over digital cameras is that you have direct physical contact with the object that is created - the negative. If you catch the light just right while holding a negative the image shines with an unworldly sheen. After spending a lot of time catching this light and looking at negatives in the darkroom I realised that there was a hidden world captured on the film. Under certain conditions the beach transforms when seen as a negative. It becomes more than just an opposite of the positive - it becomes something more than the positive. For just a few moments the image is captured and the camera transforms the positive into this hidden world. Instead of faithfully reproducing the real, the camera creates something new.
  • Other galleries:
  • Early Luminogram Studies
  • Latest Work
  • Light on Paper
  • Secrets
  • Luminograms OLD
  • Poppit Sands Gallery One
  • Poppit Sands Gallery Two
  • Poppit Sands Gallery Three
  • Lo-Fi Poppit Sands Gallery
  • Poppit Sands Gallery Four 2007 - 2015
  • The Poppit Negatives
  • Archipelago
  • Windows into Winter
  • Seren 2013 - 2014
  • Singular Structures
  • A Child's Landscape 2013 - 2015
  • GULLS 2012 - 2014
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